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La Stoppa
La Stoppa Profile
//=$producer_meta[ProducerMeta::TITLE_DESCRIPTION_META_KEY]?>Quick Facts
Name of Estate | La Stoppa |
---|---|
Region | Emilia-Romagna |
Country | Italy |
Proprietor | Elena Pantaleoni |
Size | 32 hectares |
Farming | Organic (Certified) |
Soils | Heavy clay |
Grapes grown | Barbera, Bonarda, Malvasia di Candia Aromatica, Trebbiano, Ortrugo |
Fun facts | "Pomodori. Sempre." -Giulio Armani |
"Pomodori. Sempre." -Giulio Armani
Read more
Quick Facts
Name of Estate | La Stoppa |
---|---|
Region | Emilia-Romagna |
Country | Italy |
Proprietor | Elena Pantaleoni |
Size | 32 hectares |
Farming | Organic (Certified) |
Soils | Heavy clay |
Grapes grown | Barbera, Bonarda, Malvasia di Candia Aromatica, Trebbiano, Ortrugo |
Fun facts | "Pomodori. Sempre." -Giulio Armani |
Get to know
La Stoppa
producer profile
01.07.2019
La Stoppa Profile
La Stoppa Producer Profile
Read more… //= $article['id'] ?>//=$article['url']?>//=Yii::t('app', 'Read more…')?>producer profile
<p>La Stoppa is a 50 <glossary title="523">hectare</glossary> property located in northwest <span class="zalup"><span><glossary title="420">Emilia-Romagna</glossary><span>.</span></span></span> Founded in the late 19th century by a wealthy lawyer named Gian Marco Ageno, the <glossary title="427">estate</glossary> is currently run by Elena Pantaleoni and head <glossary title="1089">vignaiolo</glossary> Giulio Armani. 32 <glossary title="523">hectares</glossary> of vines are planted in <glossary title="138">Barbera</glossary> and <glossary title="175">Bornada</glossary> for red, as well as a small amount of <span class="zalup"><span><glossary title="1297">Malvasia di Candia</glossary><span>,</span></span></span> <glossary title="748">Ortrugo</glossary> and <glossary title="1043">Trebianno</glossary> for whites. Today, the wines produced from La Stoppa are typically <span class="zalup"><span><glossary title="420">Emilian</glossary><span>,</span></span></span> but this wasn't always the case; moving forward occasionally means taking a step back. </p>
<p>In 1996, Elena and Giulio decided to replant the entirety of their <glossary title="427">estate</glossary> in <glossary title="138">Barbera</glossary> and <span class="zalup"><span><glossary title="175">Bonarda</glossary><span>,</span></span></span> both typical and suited grapes for the region. Interestingly, the prior owner had taken post <glossary title="788">phylloxera</glossary> replanting as an opportunity to experiment with <glossary title="720">noble grapes</glossary> from around the world which, amongst others, included <span class="zalup"><span><glossary title="271">Chardonnay</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="927">Sauvignon Blanc</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="805">Pinot Noir</glossary><span>,</span></span></span> <glossary title="1030">Tokay</glossary> and <span class="zalup"><span><glossary title="803">Pinot Gris</glossary><span>.</span></span></span> Elena's father purchased the <glossary title="427">estate</glossary> in 1973, and for 20 years these varieties were <glossary title="1104">vinified</glossary> and <glossary title="185">bottled</glossary> individually as <glossary title="958">mono-cépage</glossary> releases. But after much reflection, it was decided that these <glossary title="1071">varietals</glossary> ripened too early and were not resistant enough to the region's hot climate. It was all <glossary title="138">Barbera</glossary> and <glossary title="175">Bonarda</glossary> from there. <br />
<br />
The soils consist of heavy <span class="zalup"><span> <glossary title="301">clay</glossary><span>.</span></span></span> The <glossary title="427">estate</glossary> has been worked <glossary title="746">organically</glossary> since the early 1990's and <glossary title="260">certified</glossary> in 2008. All the wines are <glossary title="87">fermented</glossary> in <glossary title="986">stainless steel</glossary> and <glossary title="325">concrete</glossary> <span class="zalup"><span><glossary title="1140">vats</glossary><span>,</span></span></span> then <glossary title="843">racked</glossary> to a variety small and large <glossary title="731">oak</glossary> <glossary title="142">barrels</glossary> for <span class="zalup"><span><glossary title="74">aging</glossary><span>.</span></span></span> The wines <glossary title="87">ferment</glossary> off of their <glossary title="538">native yeasts</glossary> and nothing is ever added or subtracted from the juice. <glossary title="993">Sulfur</glossary> is never added during <glossary title="1104">vinification</glossary> or <span class="zalup"><span><glossary title="185">bottling</glossary><span>,</span></span></span> save a tiny amount for the entry-level wine "Trebbiolo". Because of the region's warm climate, Giulio prefers long <glossary title="610">skin contact</glossary> to <glossary title="433">extract</glossary> as much as possible.<br />
<br />
La Stoppa's approach to <glossary title="185">bottling</glossary> and releasing wine can be described in two words: observation and patience. It is not uncommon for wines to <glossary title="74">age</glossary> in <glossary title="142">barrel</glossary> for years before <glossary title="185">bottling</glossary> and then many more in bottle before release. While the fresher "Trebbiolo" is sold the summer after its <span class="zalup"><span> <glossary title="521">harvest</glossary><span>,</span></span></span> there are no such rules for "Barbera", "Macchiona" or "Ageno"; these are usually released at least five years after they were <span class="zalup"><span> <glossary title="521">harvested</glossary><span>.</span></span></span> Furthermore, a younger <glossary title="1109">vintage</glossary> can be <glossary title="185">bottled</glossary> before an older one and <glossary title="1109">vintages</glossary> are not chronologically released. In other words, the wines are commercialized when deemed optimal to drink.</p>
<p>It's a challenging and costly endeavor, one too few wineries are willing to take the hit on. But Elena and Giulio wouldn't have it any other way.</p>
interview
01.07.2019
An Interview with Elena Pantaleoni of La Stoppa
An Interview with Elena Pantaleoni from 2013
Read more…interview
<p><em>This interview with Elena Pantaleoni took place at <glossary title="568">L'Herbe Rouge</glossary> in February, 2013.</em></p>
<p><strong>Tell us about La Stoppa.</strong><br />
<br />
La Stoppa is located in northwest <glossary title="420">Emilia-Romagna </glossary>and was founded at the end of the 19th century by a lawyer from Genova named Gian Carlo Ageno. He was the first to give value to this land by planting vineyards. In the the 1920's, he had to replant because of <span class="zalup"><span><glossary title="788">phylloxera</glossary><span>,</span></span></span> so the oldest vineyards we have are from this period. In the aftermath, Mr. Ageno planted many varieties as an experiment to see what was suited for the area.<br />
<br />
In 1973, my father-who worked his entire life as a printer-purchased the <span class="zalup"><span><glossary title="427">estate</glossary><span>.</span></span></span> During the war, he was based in the country side and would pass by the vineyards on his bicycle daily. It was his dream to buy La Stoppa, and when he was finally able to afford it, he made it come true. I personally started working here in 1991. <br />
<br />
For our first 20 years of ownership, we <glossary title="1104">vinified</glossary> every vineyard and grape variety separately. But in 1996, we decided to eliminate most of the early ripening grapes <span class="zalup"><span>(<glossary title="271">Chardonnay</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="927">Sauvignon Blanc</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="805">Pinot Noir</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="1030">Tokay</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="803">Pinot Gris</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="505">Grechetto</glossary><span>.</span></span></span>..) as they are not exactly suited for our hot climate. Instead, we focused on replanting <span class="zalup"><span><glossary title="138">Barbera</glossary><span>,</span></span></span> <glossary title="175">Bonarda</glossary> and <span class="zalup"><span><glossary title="623">Malvasia</glossary><span>,</span></span></span> all local grapes. <br />
<br />
We are about 250m above sea level, working mainly on <glossary title="301">clay</glossary> soils. The majority of our production consists of red wines produced with <glossary title="138">Barbera</glossary> and <span class="zalup"><span><glossary title="175">Bonarda</glossary><span>.</span></span></span> We are a rather large <span class="zalup"><span><glossary title="427">estate</glossary><span>:</span></span></span> 32 <glossary title="523">hectares</glossary> of vines and 28 of forest. We make one dry white wine, "Ageno". We also make a few sweet whites. <br />
<br />
<strong>Could you elaborate on how the decision to replant local varieties was taken?</strong><br />
<br />
For many years, we tried our best to make, for example, a great <span class="zalup"><span><glossary title="805">Pinot Noir</glossary><span>.</span></span></span> We were always putting our work into question, and eventually came to the conclusion that even if we produced a great <span class="zalup"><span><glossary title="805">Pinot Noir</glossary><span>,</span></span></span> even if it was the best <glossary term="Pinot Noir" title="805">Pinot Noir</glossary><glossary title="805"> </glossary>in the world, it would still be a copy of something that is already available on the market. This in turn made us realize that these grapes weren't suitable for our place. They ripen too early, as it is very warm here. <br />
<br />
<strong>Before you made this decision, how much of the<font color="#7b143e"> estate</font> was already planted in<font color="#7b143e"> Barbera</font> and Bonarda?</strong><br />
<br />
About 50%.<br />
<br />
<strong>Were you personally satisfied with the <font color="#7b143e">Pinot Noir, Sauvignon Blanc and Cabernet Sauvignon</font> you were producing?</strong><br />
<br />
Some <span class="zalup"><span><glossary title="1109">vintages</glossary><span>,</span></span></span> very much. But if you want to be an honest winemaker, it's very dangerous to try making wines based on your personal taste. I think it's our job to make a wine from a place, not to force something based on personal taste. If I really want to drink great <span class="zalup"><span><glossary title="805">Pinot Noir</glossary><span>,</span></span></span> I'll buy some from <span class="zalup"><span><glossary title="212">Burgundy</glossary><span>.</span></span></span> <br />
<br />
<strong>What's the work in the vines like?</strong><br />
<br />
We have been <glossary title="260">certified organic</glossary> since 2008, but have been working this way since the early 90's. Most of the work is done by hand. <br />
<br />
I inherited this <glossary title="427">estate</glossary> from my father, and I think one of my nieces and nephews will probably take over. Therefore I feel like a guardian of this place, and I want to preserve and maintain its sanctity. I know the vineyards can last much longer than I ever will! <br />
<br />
<strong>And in the<font color="#7b143e"> cellar</font>?</strong><br />
<br />
When we started, we were using <glossary title="538">indigenous yeasts</glossary> to <glossary title="441">ferment</glossary> the wines and <glossary title="664">minimal intervention</glossary> in the <span class="zalup"><span><glossary title="254">cellar</glossary><span>.</span></span></span> There was however a 10 year period in the 1980's were we experimented with<font color="#7b143e"><b> <glossary term="Commercial Yeast" title="321">selected yeasts</glossary></b></font><span class="zalup"><span><span>.</span></span></span> But we had always wanted to work traditionally, so this did not last.<br />
<br />
We do long <span class="zalup"><span><glossary title="610">skin macerations</glossary><span>,</span></span></span> because we are in a warm area and want to <glossary term="Extraction" title="433">extract</glossary> as much as possible. We never add <glossary title="993">sulfur</glossary> during <span class="zalup"><span><glossary title="1104">vinificiation</glossary><span>.</span></span></span> We use <span class="zalup"><span><glossary title="986">stainless steel</glossary><span>,</span></span></span> <glossary title="325">cement</glossary> and <glossary title="1126">wooden</glossary> <glossary title="1140">tanks</glossary> for <glossary title="441">fermentation</glossary>; big and small <glossary title="142">barrels</glossary> are used for <span class="zalup"><span><glossary title="74">aging</glossary><span>.</span></span></span> The wines need slow and natural <span class="zalup"><span><glossary title="754">oxygenation</glossary><span>.</span></span></span> <br />
<br />
<strong>How do you feel about the <font color="#7b143e">DOC</font> system?</strong><br />
<br />
All of our wines are <span class="zalup"><span><glossary title="535">IGT</glossary><span>.</span></span></span> I don't believe that the <glossary title="1156">D.O.C</glossary> valorizes place, at least not in our region. We have the right to use 18 different grapes in our <glossary title="1156">DOC</glossary> <span class="zalup"><span>(<glossary title="217">Cabernet Sauvignon</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="805">Pinot Noir</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="927">Sauvignon Blanc</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="271">Chardonnay</glossary><span>.</span></span></span>..), and can make still, sparkling and sweet wines.<br />
<br />
The panel who judges the wines is composed solely of winemakers for the region's biggest <span class="zalup"><span><glossary title="252">cooperatives</glossary><span>.</span></span></span> They don't care about tradition and history; they are more concerned by what the market needs. For example, a lot of <glossary title="138">Barbera</glossary>/<glossary title="175">Bonarda</glossary> based wines are <glossary title="377">de-acidified</glossary> and made slightly sweet. <br />
<br />
<strong>How do you feel about the ongoing "<font color="#7b143e">natural wine</font>" debate? </strong><br />
<br />
Personally, I like to say: <em>"I make wine"</em>. That is what we do. Wine has always been made this way: even as recently as 50 years ago, all the great wines of Italy were "natural" simply by being rooted in tradition. I'm astonished how things changed so much, so fast. People were so quick to forget. I'm talking for us old world producers; if I were in Chile or the United States, maybe I would think differently. But in the old world, wine has always related to a sense of place. <br />
<br />
Today, young people who are discovering wine for the first time need a little bit of a helping hand to understand this. So I understand why some choose to use the term <span class="zalup"><span><glossary title="708">natural wine</glossary><span>.</span></span></span> Maybe for some, it helps them grasp the concept of <glossary title="122">artisanal</glossary> vs <span class="zalup"><span><glossary title="539">industrial</glossary><span>.</span></span></span> But maybe we should be taking things further. For example, I am not against listing all the ingredients like all other food products. This way people would be more aware of what they are consuming. <br />
<br />
I laugh when people argue that no wine is natural because it requires the intervention of man to be produced. Of course! But most small, independent <glossary title="427">estates</glossary> take an <glossary title="540">industrial</glossary> approach to making wine! In the end, it's simply an approach: you are not following the taste of the market or your own personal tastes, you are making the wine that the place and the <glossary title="1109">vintage</glossary> gives you. <br />
<br />
<strong>Do you think people are becoming more receptive of this approach?</strong><br />
<br />
I think it is becoming easier to sell wines solely off the fact that they are full of personality and that they express something more than a low price point. <br />
<br />
<strong>What do you like to drink?</strong><br />
<br />
I like lighter, more <glossary title="71">acidic</glossary> white from more Northern climates. I'm a big fan of older wine. I find that a 20 or 30 year old bottle can be moving.</p>
producer visit
07.08.2019
La Stoppa Visit
This visit to La Stoppa took place in November, 2012
Read more…producers visit
<p><em>This visit to La Stoppa took place in November, 2012</em></p>
<p><em>Words by Jules Dressner, photos by Jake Halper</em></p>
<p>From <span class="zalup"><span><glossary title="762">Parma</glossary><span>,</span></span></span> we drove off to <glossary title="862">Rivergaro</glossary> to visit Elena Pantaleoni and Giulio Armani of La Stoppa. For many of you, this <glossary title="427">estate</glossary> needs no introduction, as the wines have been available in the U.S for many years. What I CAN say is that we are extremely happy to be their new national importer (with the exception of Massachusetts and Oregon), and welcome them to the Louis/Dressner family. <br />
<br />
La Stoppa sits atop a hill and consists of a medieval living quarter and <glossary title="254">cellar</glossary> surrounded by 30 <glossary title="523">hectares</glossary> of vines. </p>
<p><img src="http://louisdressner.com/uploads/images/article/2019_Aug_07//4f/1f/4f1fc4a2cf7ba75983e627ed913132cf.jpg" /></p>
<p><img src="http://louisdressner.com/uploads/images/article/2019_Aug_07//7d/f8/7df84a30860b5b795a4bcf486ebac0ee.jpg" /></p>
<p><img src="http://louisdressner.com/uploads/images/article/2019_Aug_07//69/53/69530eaac49193a7b685620579337628.jpg" /></p>
<p>We started the visit with a lunch/tasting combo. Elena and guest-star <a href="http://louisdressner.com/producers/Occhipinti/" target="_blank">Arianna Occhipinti</a> had just landed THAT DAY from a trip to Montreal (where they work with <a href="http://www.oenopole.ca/">Oenopole</a>), and told us about dancing all night at a Champagne party where Biz Markie was DJing. Because I know you're not going to believe me (partly because I enjoy keeping the Dressner tradition of making stuff up alive and well), here is proof that it actually happened.</p>
<p><img src="http://louisdressner.com/uploads/images/article/2019_Aug_07//26/5f/265f4fedfebd7435e60283548c57a40c.jpg" /><br />
<br />
What, no <a href="http://louisdressner.com/producers/Boulard/">Boulard</a>? <br />
<br />
At lunch, we tried the current releases of "Ageno" and all the reds, including some back <glossary title="1109">vintages</glossary> of the "Barbera della Stoppa". The <glossary title="1130">young vine</glossary> <glossary title="874">rosso</glossary> and <glossary title="471">frizzante</glossary> have been renamed "Trebbiolo" this year. The name comes from the vines' proximity to the <span class="zalup"><span><glossary title="1042">Trebbia river</glossary><span>,</span></span></span> and Elena admitted that the last thing she expected was everyone to keep asking her if the wine is a blend of <glossary title="1043">Trebbiano</glossary> and <span class="zalup"><span><glossary title="709">Nebbiolo</glossary><span>.</span></span></span> This has apparently been happening A LOT, which could be avoided if people realized:<br />
<br />
1. La Stoppa is located in <span class="zalup"><span><glossary title="420">Emilia-Romagna</glossary><span>,</span></span></span> where neither <glossary title="1043">Trebbiano</glossary> or <glossary title="709">Nebbiolo</glossary> is planted. <br />
<br />
2. How disgusting that <glossary title="">blend</glossary> would be and how no one in their right mind would ever produce it.<br />
<br />
After lunch, it was time to visit some surrounding vineyard sites with Giulio.</p>
<p><img src="http://louisdressner.com/uploads/images/article/2019_Aug_07//a6/7a/a67a3ec5aca6ab03f0ccedc13afbe644.jpg" /></p>
<p><img src="http://louisdressner.com/uploads/images/article/2019_Aug_07//2e/32/2e32723c0e6adbc5b9d9d48be03a205c.jpg" /><br />
<br />
Almost all of the <glossary title="427">estate's</glossary> 30 <font color="#7b143e"><strong><glossary term="Hectare" title="523">hectares</glossary></strong></font> surround the living quarters and <span class="zalup"><span><glossary title="254">cellar</glossary><span>.</span></span></span> The vines are planted 75% in <glossary title="138">Barbera</glossary>/<glossary title="175">Bornada</glossary> and 25% in <glossary title="623">Malvasia</glossary> at 200m <glossary term="Elevation" title="419">elevation</glossary>; these are the traditional grapes of this region, but have only been principally grown here since since 1995. You see, the <glossary title="1103">viticultural</glossary> history of the <glossary title="427">estate</glossary> is a bit topsy-turvy...<br />
<br />
Over a hundred years ago, a wealthy lawyer named Ageno owned the property and decided to plant -along with the local <glossary title="138">Barbera</glossary> and <glossary title="175">Bornada</glossary> grapes-, 15 <glossary title="523">hectares</glossary> of "<glossary term="Noble Grapes" title="720">noble</glossary>" <span class="zalup"><span><glossary title="1071">varietals</glossary><span>:</span></span></span> <span class="zalup"><span><glossary title="805">Pinot Noir</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="217">Cabernet Sauvignon</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="271">Chardonnay</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="927">Sauvignon Blanc</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="803">Pinot Grigio</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="1030">Tokay</glossary><span>,</span></span></span> etc... The idea, of course, was to emulate <span class="zalup"><span><glossary title="178">Bordeaux</glossary><span>,</span></span></span> <glossary title="212">Burgundy</glossary> and <glossary title="908">Sancerre</glossary> (you can see photos of some of these old <glossary title="573">labels</glossary> on the home page of their official website that are actually <glossary title="185">bottled</glossary> as "<glossary title="178">Bordeaux</glossary>").<br />
<br />
In 1973, Elena's father bought the <glossary title="427">estate</glossary> and continued making wine from these grapes. Giulio Armani took over as head <glossary title="1089">vignaiolo</glossary> in 1980 and for 15 years, tried his best to produce quality wines from these grapes: he read every book on <glossary title="1103">viticulture</glossary> and <glossary title="422">oenology</glossary> he could get his hands on and followed <glossary title="">Sancerre</glossary> and <glossary title="178">Bordeaux</glossary> "recipes" to the best of his ability. <br />
<br />
But Giuilo is a smart man and a thinker, and the decade plus of trying to crack the code of his vines finally led to a simple but life-altering realization: you just can't make <glossary title="212">Burgundy</glossary> or <glossary term="Sancerre" title="908">Sancerre</glossary> in <span class="zalup"><span><glossary title="420">Emilia-Romagna</glossary><span>,</span></span></span> a very hot region where grapes often end up being high in alcohol and low in <span class="zalup"><span><glossary title="71">acidity</glossary><span>.</span></span></span><br />
<br />
"<em>Every year, I would see the </em><glossary title="805"><em>Pinot Noir</em></glossary><em> and </em><glossary title="271"><em>Chardonnay</em></glossary><em> grapes completely burnt from the sun. They weren't meant to be here. We understood we had to make a wine of </em><glossary title="1026"><em>terroir</em></glossary><em>.</em>"<br />
<br />
So in 1995, Giulio and Elena decided to return to tradition and replant the local red grapes <glossary title="138">Barbera</glossary> and <span class="zalup"><span><glossary title="175">Bornada</glossary><span>,</span></span></span> and well as <glossary title="623">Malvasia</glossary> for white. And lo and behold, this instantly solved their <glossary title="71">acidity</glossary> problem!<br />
<br />
"<em>The secret to making good red wine in this area is </em><glossary title="138"><em>Barbera</em></glossary><em>, which has very high </em><glossary title="71"><em>acidity</em></glossary><em> and thrives in this climate. It is needed to balance the wines.</em>"<br />
<br />
Though the <glossary title="427">estate</glossary> had globally been hands off with <glossary title="1103">viticulture</glossary> and winemaking, there was a period in the 1980's where Giulio experimented with conventional <glossary title="">viticulture</glossary> and <span class="zalup"><span><glossary title="321">selected yeasts</glossary><span>.</span></span></span> The replanting of the region's traditional grapes, however, also meant re-evaluating the work in the vineyard, and a shift was immediately made to <glossary title="">organic</glossary> <span class="zalup"><span><glossary title="1103">viticulture</glossary><span>.</span></span></span> These ideas extended to the <span class="zalup"><span><glossary title="254">cellar</glossary><span>,</span></span></span> where Giulio started intentionally practicing <glossary title="976">spontaneous fermentations</glossary> and eliminating any rectification/manipulation. Today, the wines being produced by La Stoppa are undoubtedly <span class="zalup"><span><glossary title="420">Emilian</glossary><span>.</span></span></span></p>
<p>And that's a cool story.</p>
harvest report
27.04.2019
2019 at La Stoppa
2019
2019 Harvest Report from Nico Sciackitano
Read more…harvest report
<p><em><strong>Words from Nico Sciackitano, October 10th, 2019. All photos by Valentin Hennequin.</strong></em></p>
<p>According to Giulio and Elena ‘This year was fantastic. Not huge quantities, but great quality and<strong> <glossary title="71">acidity</glossary></strong>.’ </p>
<p>We had a wonderful team with great energy. Two interns who are visiting winemakers from Chile and two interns who are students at the Slow Food University in Bra… and the usual suspects.</p>
<p>We picked the white fruit <span class="zalup"><span>(<glossary title="623">Malvasia di Candia Aromatica</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="748">Ortrugo</glossary><span>,</span></span></span> <glossary title="1043">Trebbiano</glossary>) from September 3rd through September 9th. <glossary title="138">Barbera</glossary> was picked from the 10th of September until the 21rst. The <glossary title="178">Bordeaux</glossary> varieties (think ex-"Stoppa" minus the <glossary title="217">Cabernet Sauvignon</glossary>) from the oldest vineyards were picked on the 21rst of September. And finally the <glossary title="175">Bonarda</glossary> was picked from the 25th through the 27th of September.</p>
<p>We were able to produce a new vintage of "Vigna del Volta" as well (see pic with drying fruit and vid of Elena and I covering the fruit for the night).</p>
<p>We had quite a bit of rain this year and a overall cooler year in general which lead to a slower <glossary title="639">maturation</glossary> and a longer harvest period. This was a good thing. (April - 30mm, May - 176.5mm, June - 5mm, July - 128mm)</p>
<p>We are very happy with this year.</p>
<p>The vegetable garden was incredibly productive this year. I don’t want to see another tomato or zucchini for at least a few months.</p>
<p><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//88/3d/883dfdfaff852ed33c56bbfc71cc50ca.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//ae/67/ae67e51e7ac274baaea0ab52c4c6b245.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//41/6e/416e1820816e2a944470643d5a6d6eae.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//24/b9/24b9f27fd117f65a86fdd53187e9144f.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//e6/d4/e6d4234194803fc7b4f737759e9fdb50.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//94/b7/94b78dc1b2f09975f1ba47180d3b2a6c.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//b6/c6/b6c6da70f3d8d1d47beb4250777053bb.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//1b/7d/1b7d83e407f6c862e6e0677246f117ed.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//59/bb/59bb7edcb916e51ba595a5eb87bf1e83.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//3a/2e/3a2ec13952d3a04c1c72e72a9ecb2973.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//a8/7e/a87eede851f8d65221ce053fb53ab4b5.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//41/54/41543930048ad99d1a35ab51952b4e75.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//67/e1/67e15b7e55df8912651d301d62becc75.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//41/54/41543930048ad99d1a35ab51952b4e75.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//bd/be/bdbe3e12bbf6c01b5e580e228ffb5cda.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//55/5c/555c83965ec1dbd8ee09d4939130cd35.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//18/84/18840f5912855657fa24a78e1a8bbb99.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//64/4e/644eef49ff7c6c2f34d480aea0fc7194.jpg" /><img src="http://louisdressner.com/uploads/images/article/2020_Apr_28//53/46/5346968dff79f83c3085954f941b1c2b.jpg" /></p>
producer profile
01.07.2019
La Stoppa Producer Profile
<p>La Stoppa is a 50 <glossary title="523">hectare</glossary> property located in northwest <span class="zalup"><span><glossary title="420">Emilia-Romagna</glossary><span>.</span></span></span> Founded in the late 19th century by a wealthy lawyer named Gian Marco Ageno, the <glossary title="427">estate</glossary> is currently run by Elena Pantaleoni and head <glossary title="1089">vignaiolo</glossary> Giulio Armani. 32 <glossary title="523">hectares</glossary> of vines are planted in <glossary title="138">Barbera</glossary> and <glossary title="175">Bornada</glossary> for red, as well as a small amount of <span class="zalup"><span><glossary title="1297">Malvasia di Candia</glossary><span>,</span></span></span> <glossary title="748">Ortrugo</glossary> and <glossary title="1043">Trebianno</glossary> for whites. Today, the wines produced from La Stoppa are typically <span class="zalup"><span><glossary title="420">Emilian</glossary><span>,</span></span></span> but this wasn't always the case; moving forward occasionally means taking a step back. </p>
<p>In 1996, Elena and Giulio decided to replant the entirety of their <glossary title="427">estate</glossary> in <glossary title="138">Barbera</glossary> and <span class="zalup"><span><glossary title="175">Bonarda</glossary><span>,</span></span></span> both typical and suited grapes for the region. Interestingly, the prior owner had taken post <glossary title="788">phylloxera</glossary> replanting as an opportunity to experiment with <glossary title="720">noble grapes</glossary> from around the world which, amongst others, included <span class="zalup"><span><glossary title="271">Chardonnay</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="927">Sauvignon Blanc</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="805">Pinot Noir</glossary><span>,</span></span></span> <glossary title="1030">Tokay</glossary> and <span class="zalup"><span><glossary title="803">Pinot Gris</glossary><span>.</span></span></span> Elena's father purchased the <glossary title="427">estate</glossary> in 1973, and for 20 years these varieties were <glossary title="1104">vinified</glossary> and <glossary title="185">bottled</glossary> individually as <glossary title="958">mono-cépage</glossary> releases. But after much reflection, it was decided that these <glossary title="1071">varietals</glossary> ripened too early and were not resistant enough to the region's hot climate. It was all <glossary title="138">Barbera</glossary> and <glossary title="175">Bonarda</glossary> from there. <br />
<br />
The soils consist of heavy <span class="zalup"><span> <glossary title="301">clay</glossary><span>.</span></span></span> The <glossary title="427">estate</glossary> has been worked <glossary title="746">organically</glossary> since the early 1990's and <glossary title="260">certified</glossary> in 2008. All the wines are <glossary title="87">fermented</glossary> in <glossary title="986">stainless steel</glossary> and <glossary title="325">concrete</glossary> <span class="zalup"><span><glossary title="1140">vats</glossary><span>,</span></span></span> then <glossary title="843">racked</glossary> to a variety small and large <glossary title="731">oak</glossary> <glossary title="142">barrels</glossary> for <span class="zalup"><span><glossary title="74">aging</glossary><span>.</span></span></span> The wines <glossary title="87">ferment</glossary> off of their <glossary title="538">native yeasts</glossary> and nothing is ever added or subtracted from the juice. <glossary title="993">Sulfur</glossary> is never added during <glossary title="1104">vinification</glossary> or <span class="zalup"><span><glossary title="185">bottling</glossary><span>,</span></span></span> save a tiny amount for the entry-level wine "Trebbiolo". Because of the region's warm climate, Giulio prefers long <glossary title="610">skin contact</glossary> to <glossary title="433">extract</glossary> as much as possible.<br />
<br />
La Stoppa's approach to <glossary title="185">bottling</glossary> and releasing wine can be described in two words: observation and patience. It is not uncommon for wines to <glossary title="74">age</glossary> in <glossary title="142">barrel</glossary> for years before <glossary title="185">bottling</glossary> and then many more in bottle before release. While the fresher "Trebbiolo" is sold the summer after its <span class="zalup"><span> <glossary title="521">harvest</glossary><span>,</span></span></span> there are no such rules for "Barbera", "Macchiona" or "Ageno"; these are usually released at least five years after they were <span class="zalup"><span> <glossary title="521">harvested</glossary><span>.</span></span></span> Furthermore, a younger <glossary title="1109">vintage</glossary> can be <glossary title="185">bottled</glossary> before an older one and <glossary title="1109">vintages</glossary> are not chronologically released. In other words, the wines are commercialized when deemed optimal to drink.</p>
<p>It's a challenging and costly endeavor, one too few wineries are willing to take the hit on. But Elena and Giulio wouldn't have it any other way.</p>
Article
interview
01.07.2019
An Interview with Elena Pantaleoni from 2013
<p><em>This interview with Elena Pantaleoni took place at <glossary title="568">L'Herbe Rouge</glossary> in February, 2013.</em></p>
<p><strong>Tell us about La Stoppa.</strong><br />
<br />
La Stoppa is located in northwest <glossary title="420">Emilia-Romagna </glossary>and was founded at the end of the 19th century by a lawyer from Genova named Gian Carlo Ageno. He was the first to give value to this land by planting vineyards. In the the 1920's, he had to replant because of <span class="zalup"><span><glossary title="788">phylloxera</glossary><span>,</span></span></span> so the oldest vineyards we have are from this period. In the aftermath, Mr. Ageno planted many varieties as an experiment to see what was suited for the area.<br />
<br />
In 1973, my father-who worked his entire life as a printer-purchased the <span class="zalup"><span><glossary title="427">estate</glossary><span>.</span></span></span> During the war, he was based in the country side and would pass by the vineyards on his bicycle daily. It was his dream to buy La Stoppa, and when he was finally able to afford it, he made it come true. I personally started working here in 1991. <br />
<br />
For our first 20 years of ownership, we <glossary title="1104">vinified</glossary> every vineyard and grape variety separately. But in 1996, we decided to eliminate most of the early ripening grapes <span class="zalup"><span>(<glossary title="271">Chardonnay</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="927">Sauvignon Blanc</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="805">Pinot Noir</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="1030">Tokay</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="803">Pinot Gris</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="505">Grechetto</glossary><span>.</span></span></span>..) as they are not exactly suited for our hot climate. Instead, we focused on replanting <span class="zalup"><span><glossary title="138">Barbera</glossary><span>,</span></span></span> <glossary title="175">Bonarda</glossary> and <span class="zalup"><span><glossary title="623">Malvasia</glossary><span>,</span></span></span> all local grapes. <br />
<br />
We are about 250m above sea level, working mainly on <glossary title="301">clay</glossary> soils. The majority of our production consists of red wines produced with <glossary title="138">Barbera</glossary> and <span class="zalup"><span><glossary title="175">Bonarda</glossary><span>.</span></span></span> We are a rather large <span class="zalup"><span><glossary title="427">estate</glossary><span>:</span></span></span> 32 <glossary title="523">hectares</glossary> of vines and 28 of forest. We make one dry white wine, "Ageno". We also make a few sweet whites. <br />
<br />
<strong>Could you elaborate on how the decision to replant local varieties was taken?</strong><br />
<br />
For many years, we tried our best to make, for example, a great <span class="zalup"><span><glossary title="805">Pinot Noir</glossary><span>.</span></span></span> We were always putting our work into question, and eventually came to the conclusion that even if we produced a great <span class="zalup"><span><glossary title="805">Pinot Noir</glossary><span>,</span></span></span> even if it was the best <glossary term="Pinot Noir" title="805">Pinot Noir</glossary><glossary title="805"> </glossary>in the world, it would still be a copy of something that is already available on the market. This in turn made us realize that these grapes weren't suitable for our place. They ripen too early, as it is very warm here. <br />
<br />
<strong>Before you made this decision, how much of the<font color="#7b143e"> estate</font> was already planted in<font color="#7b143e"> Barbera</font> and Bonarda?</strong><br />
<br />
About 50%.<br />
<br />
<strong>Were you personally satisfied with the <font color="#7b143e">Pinot Noir, Sauvignon Blanc and Cabernet Sauvignon</font> you were producing?</strong><br />
<br />
Some <span class="zalup"><span><glossary title="1109">vintages</glossary><span>,</span></span></span> very much. But if you want to be an honest winemaker, it's very dangerous to try making wines based on your personal taste. I think it's our job to make a wine from a place, not to force something based on personal taste. If I really want to drink great <span class="zalup"><span><glossary title="805">Pinot Noir</glossary><span>,</span></span></span> I'll buy some from <span class="zalup"><span><glossary title="212">Burgundy</glossary><span>.</span></span></span> <br />
<br />
<strong>What's the work in the vines like?</strong><br />
<br />
We have been <glossary title="260">certified organic</glossary> since 2008, but have been working this way since the early 90's. Most of the work is done by hand. <br />
<br />
I inherited this <glossary title="427">estate</glossary> from my father, and I think one of my nieces and nephews will probably take over. Therefore I feel like a guardian of this place, and I want to preserve and maintain its sanctity. I know the vineyards can last much longer than I ever will! <br />
<br />
<strong>And in the<font color="#7b143e"> cellar</font>?</strong><br />
<br />
When we started, we were using <glossary title="538">indigenous yeasts</glossary> to <glossary title="441">ferment</glossary> the wines and <glossary title="664">minimal intervention</glossary> in the <span class="zalup"><span><glossary title="254">cellar</glossary><span>.</span></span></span> There was however a 10 year period in the 1980's were we experimented with<font color="#7b143e"><b> <glossary term="Commercial Yeast" title="321">selected yeasts</glossary></b></font><span class="zalup"><span><span>.</span></span></span> But we had always wanted to work traditionally, so this did not last.<br />
<br />
We do long <span class="zalup"><span><glossary title="610">skin macerations</glossary><span>,</span></span></span> because we are in a warm area and want to <glossary term="Extraction" title="433">extract</glossary> as much as possible. We never add <glossary title="993">sulfur</glossary> during <span class="zalup"><span><glossary title="1104">vinificiation</glossary><span>.</span></span></span> We use <span class="zalup"><span><glossary title="986">stainless steel</glossary><span>,</span></span></span> <glossary title="325">cement</glossary> and <glossary title="1126">wooden</glossary> <glossary title="1140">tanks</glossary> for <glossary title="441">fermentation</glossary>; big and small <glossary title="142">barrels</glossary> are used for <span class="zalup"><span><glossary title="74">aging</glossary><span>.</span></span></span> The wines need slow and natural <span class="zalup"><span><glossary title="754">oxygenation</glossary><span>.</span></span></span> <br />
<br />
<strong>How do you feel about the <font color="#7b143e">DOC</font> system?</strong><br />
<br />
All of our wines are <span class="zalup"><span><glossary title="535">IGT</glossary><span>.</span></span></span> I don't believe that the <glossary title="1156">D.O.C</glossary> valorizes place, at least not in our region. We have the right to use 18 different grapes in our <glossary title="1156">DOC</glossary> <span class="zalup"><span>(<glossary title="217">Cabernet Sauvignon</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="805">Pinot Noir</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="927">Sauvignon Blanc</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="271">Chardonnay</glossary><span>.</span></span></span>..), and can make still, sparkling and sweet wines.<br />
<br />
The panel who judges the wines is composed solely of winemakers for the region's biggest <span class="zalup"><span><glossary title="252">cooperatives</glossary><span>.</span></span></span> They don't care about tradition and history; they are more concerned by what the market needs. For example, a lot of <glossary title="138">Barbera</glossary>/<glossary title="175">Bonarda</glossary> based wines are <glossary title="377">de-acidified</glossary> and made slightly sweet. <br />
<br />
<strong>How do you feel about the ongoing "<font color="#7b143e">natural wine</font>" debate? </strong><br />
<br />
Personally, I like to say: <em>"I make wine"</em>. That is what we do. Wine has always been made this way: even as recently as 50 years ago, all the great wines of Italy were "natural" simply by being rooted in tradition. I'm astonished how things changed so much, so fast. People were so quick to forget. I'm talking for us old world producers; if I were in Chile or the United States, maybe I would think differently. But in the old world, wine has always related to a sense of place. <br />
<br />
Today, young people who are discovering wine for the first time need a little bit of a helping hand to understand this. So I understand why some choose to use the term <span class="zalup"><span><glossary title="708">natural wine</glossary><span>.</span></span></span> Maybe for some, it helps them grasp the concept of <glossary title="122">artisanal</glossary> vs <span class="zalup"><span><glossary title="539">industrial</glossary><span>.</span></span></span> But maybe we should be taking things further. For example, I am not against listing all the ingredients like all other food products. This way people would be more aware of what they are consuming. <br />
<br />
I laugh when people argue that no wine is natural because it requires the intervention of man to be produced. Of course! But most small, independent <glossary title="427">estates</glossary> take an <glossary title="540">industrial</glossary> approach to making wine! In the end, it's simply an approach: you are not following the taste of the market or your own personal tastes, you are making the wine that the place and the <glossary title="1109">vintage</glossary> gives you. <br />
<br />
<strong>Do you think people are becoming more receptive of this approach?</strong><br />
<br />
I think it is becoming easier to sell wines solely off the fact that they are full of personality and that they express something more than a low price point. <br />
<br />
<strong>What do you like to drink?</strong><br />
<br />
I like lighter, more <glossary title="71">acidic</glossary> white from more Northern climates. I'm a big fan of older wine. I find that a 20 or 30 year old bottle can be moving.</p>
Article
producer visit
07.08.2019
This visit to La Stoppa took place in November, 2012
<p><em>This visit to La Stoppa took place in November, 2012</em></p>
<p><em>Words by Jules Dressner, photos by Jake Halper</em></p>
<p>From <span class="zalup"><span><glossary title="762">Parma</glossary><span>,</span></span></span> we drove off to <glossary title="862">Rivergaro</glossary> to visit Elena Pantaleoni and Giulio Armani of La Stoppa. For many of you, this <glossary title="427">estate</glossary> needs no introduction, as the wines have been available in the U.S for many years. What I CAN say is that we are extremely happy to be their new national importer (with the exception of Massachusetts and Oregon), and welcome them to the Louis/Dressner family. <br />
<br />
La Stoppa sits atop a hill and consists of a medieval living quarter and <glossary title="254">cellar</glossary> surrounded by 30 <glossary title="523">hectares</glossary> of vines. </p>
<p><img src="http://louisdressner.com/uploads/images/article/2019_Aug_07//4f/1f/4f1fc4a2cf7ba75983e627ed913132cf.jpg" /></p>
<p><img src="http://louisdressner.com/uploads/images/article/2019_Aug_07//7d/f8/7df84a30860b5b795a4bcf486ebac0ee.jpg" /></p>
<p><img src="http://louisdressner.com/uploads/images/article/2019_Aug_07//69/53/69530eaac49193a7b685620579337628.jpg" /></p>
<p>We started the visit with a lunch/tasting combo. Elena and guest-star <a href="http://louisdressner.com/producers/Occhipinti/" target="_blank">Arianna Occhipinti</a> had just landed THAT DAY from a trip to Montreal (where they work with <a href="http://www.oenopole.ca/">Oenopole</a>), and told us about dancing all night at a Champagne party where Biz Markie was DJing. Because I know you're not going to believe me (partly because I enjoy keeping the Dressner tradition of making stuff up alive and well), here is proof that it actually happened.</p>
<p><img src="http://louisdressner.com/uploads/images/article/2019_Aug_07//26/5f/265f4fedfebd7435e60283548c57a40c.jpg" /><br />
<br />
What, no <a href="http://louisdressner.com/producers/Boulard/">Boulard</a>? <br />
<br />
At lunch, we tried the current releases of "Ageno" and all the reds, including some back <glossary title="1109">vintages</glossary> of the "Barbera della Stoppa". The <glossary title="1130">young vine</glossary> <glossary title="874">rosso</glossary> and <glossary title="471">frizzante</glossary> have been renamed "Trebbiolo" this year. The name comes from the vines' proximity to the <span class="zalup"><span><glossary title="1042">Trebbia river</glossary><span>,</span></span></span> and Elena admitted that the last thing she expected was everyone to keep asking her if the wine is a blend of <glossary title="1043">Trebbiano</glossary> and <span class="zalup"><span><glossary title="709">Nebbiolo</glossary><span>.</span></span></span> This has apparently been happening A LOT, which could be avoided if people realized:<br />
<br />
1. La Stoppa is located in <span class="zalup"><span><glossary title="420">Emilia-Romagna</glossary><span>,</span></span></span> where neither <glossary title="1043">Trebbiano</glossary> or <glossary title="709">Nebbiolo</glossary> is planted. <br />
<br />
2. How disgusting that <glossary title="">blend</glossary> would be and how no one in their right mind would ever produce it.<br />
<br />
After lunch, it was time to visit some surrounding vineyard sites with Giulio.</p>
<p><img src="http://louisdressner.com/uploads/images/article/2019_Aug_07//a6/7a/a67a3ec5aca6ab03f0ccedc13afbe644.jpg" /></p>
<p><img src="http://louisdressner.com/uploads/images/article/2019_Aug_07//2e/32/2e32723c0e6adbc5b9d9d48be03a205c.jpg" /><br />
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Almost all of the <glossary title="427">estate's</glossary> 30 <font color="#7b143e"><strong><glossary term="Hectare" title="523">hectares</glossary></strong></font> surround the living quarters and <span class="zalup"><span><glossary title="254">cellar</glossary><span>.</span></span></span> The vines are planted 75% in <glossary title="138">Barbera</glossary>/<glossary title="175">Bornada</glossary> and 25% in <glossary title="623">Malvasia</glossary> at 200m <glossary term="Elevation" title="419">elevation</glossary>; these are the traditional grapes of this region, but have only been principally grown here since since 1995. You see, the <glossary title="1103">viticultural</glossary> history of the <glossary title="427">estate</glossary> is a bit topsy-turvy...<br />
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Over a hundred years ago, a wealthy lawyer named Ageno owned the property and decided to plant -along with the local <glossary title="138">Barbera</glossary> and <glossary title="175">Bornada</glossary> grapes-, 15 <glossary title="523">hectares</glossary> of "<glossary term="Noble Grapes" title="720">noble</glossary>" <span class="zalup"><span><glossary title="1071">varietals</glossary><span>:</span></span></span> <span class="zalup"><span><glossary title="805">Pinot Noir</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="217">Cabernet Sauvignon</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="271">Chardonnay</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="927">Sauvignon Blanc</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="803">Pinot Grigio</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="1030">Tokay</glossary><span>,</span></span></span> etc... The idea, of course, was to emulate <span class="zalup"><span><glossary title="178">Bordeaux</glossary><span>,</span></span></span> <glossary title="212">Burgundy</glossary> and <glossary title="908">Sancerre</glossary> (you can see photos of some of these old <glossary title="573">labels</glossary> on the home page of their official website that are actually <glossary title="185">bottled</glossary> as "<glossary title="178">Bordeaux</glossary>").<br />
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In 1973, Elena's father bought the <glossary title="427">estate</glossary> and continued making wine from these grapes. Giulio Armani took over as head <glossary title="1089">vignaiolo</glossary> in 1980 and for 15 years, tried his best to produce quality wines from these grapes: he read every book on <glossary title="1103">viticulture</glossary> and <glossary title="422">oenology</glossary> he could get his hands on and followed <glossary title="">Sancerre</glossary> and <glossary title="178">Bordeaux</glossary> "recipes" to the best of his ability. <br />
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But Giuilo is a smart man and a thinker, and the decade plus of trying to crack the code of his vines finally led to a simple but life-altering realization: you just can't make <glossary title="212">Burgundy</glossary> or <glossary term="Sancerre" title="908">Sancerre</glossary> in <span class="zalup"><span><glossary title="420">Emilia-Romagna</glossary><span>,</span></span></span> a very hot region where grapes often end up being high in alcohol and low in <span class="zalup"><span><glossary title="71">acidity</glossary><span>.</span></span></span><br />
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"<em>Every year, I would see the </em><glossary title="805"><em>Pinot Noir</em></glossary><em> and </em><glossary title="271"><em>Chardonnay</em></glossary><em> grapes completely burnt from the sun. They weren't meant to be here. We understood we had to make a wine of </em><glossary title="1026"><em>terroir</em></glossary><em>.</em>"<br />
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So in 1995, Giulio and Elena decided to return to tradition and replant the local red grapes <glossary title="138">Barbera</glossary> and <span class="zalup"><span><glossary title="175">Bornada</glossary><span>,</span></span></span> and well as <glossary title="623">Malvasia</glossary> for white. And lo and behold, this instantly solved their <glossary title="71">acidity</glossary> problem!<br />
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"<em>The secret to making good red wine in this area is </em><glossary title="138"><em>Barbera</em></glossary><em>, which has very high </em><glossary title="71"><em>acidity</em></glossary><em> and thrives in this climate. It is needed to balance the wines.</em>"<br />
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Though the <glossary title="427">estate</glossary> had globally been hands off with <glossary title="1103">viticulture</glossary> and winemaking, there was a period in the 1980's where Giulio experimented with conventional <glossary title="">viticulture</glossary> and <span class="zalup"><span><glossary title="321">selected yeasts</glossary><span>.</span></span></span> The replanting of the region's traditional grapes, however, also meant re-evaluating the work in the vineyard, and a shift was immediately made to <glossary title="">organic</glossary> <span class="zalup"><span><glossary title="1103">viticulture</glossary><span>.</span></span></span> These ideas extended to the <span class="zalup"><span><glossary title="254">cellar</glossary><span>,</span></span></span> where Giulio started intentionally practicing <glossary title="976">spontaneous fermentations</glossary> and eliminating any rectification/manipulation. Today, the wines being produced by La Stoppa are undoubtedly <span class="zalup"><span><glossary title="420">Emilian</glossary><span>.</span></span></span></p>
<p>And that's a cool story.</p>
Article
harvest report
27.04.2019
2019 Harvest Report from Nico Sciackitano
<p><em><strong>Words from Nico Sciackitano, October 10th, 2019. All photos by Valentin Hennequin.</strong></em></p>
<p>According to Giulio and Elena ‘This year was fantastic. Not huge quantities, but great quality and<strong> <glossary title="71">acidity</glossary></strong>.’ </p>
<p>We had a wonderful team with great energy. Two interns who are visiting winemakers from Chile and two interns who are students at the Slow Food University in Bra… and the usual suspects.</p>
<p>We picked the white fruit <span class="zalup"><span>(<glossary title="623">Malvasia di Candia Aromatica</glossary><span>,</span></span></span> <span class="zalup"><span><glossary title="748">Ortrugo</glossary><span>,</span></span></span> <glossary title="1043">Trebbiano</glossary>) from September 3rd through September 9th. <glossary title="138">Barbera</glossary> was picked from the 10th of September until the 21rst. The <glossary title="178">Bordeaux</glossary> varieties (think ex-"Stoppa" minus the <glossary title="217">Cabernet Sauvignon</glossary>) from the oldest vineyards were picked on the 21rst of September. And finally the <glossary title="175">Bonarda</glossary> was picked from the 25th through the 27th of September.</p>
<p>We were able to produce a new vintage of "Vigna del Volta" as well (see pic with drying fruit and vid of Elena and I covering the fruit for the night).</p>
<p>We had quite a bit of rain this year and a overall cooler year in general which lead to a slower <glossary title="639">maturation</glossary> and a longer harvest period. This was a good thing. (April - 30mm, May - 176.5mm, June - 5mm, July - 128mm)</p>
<p>We are very happy with this year.</p>
<p>The vegetable garden was incredibly productive this year. I don’t want to see another tomato or zucchini for at least a few months.</p>
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